"Each gurukul blossoms with the rhythm of hands, feet, wood and voice."

A conch shell blows, sunset, and a thin mask of beauty, garnered only through the crevices. And the last bell, dinner, hastens the final spices of form and expression to meld with the food and fatigue which will fill the dancers till morning.

And if it is Sunday, the morning tranquility bursts in vivid song and scamper of the local village children unloaded from the Nrityagram van. They have dressed to dance, to make music from motions trained already, at their tender ages. They soak up every sound and pose. They listen and watch, repeat determinedly, let yoga lull their prancing bodies, then eat freely and rest with the music of the older children's performances. Tapping the tala with tiny feet, their serenity remains until the van is once again stuffed full with their satisfied bodies and contagious chatter, about next Sunday or the hope of a surprise Nrityagram demonstration in their school. Eyes shuttering, a few of those sweaty bodies may see themselves, in dream, decked in sparkling costumes and magically whirling in wonderful recreation of the dance.